Tuesday, May 5, 2009

Posted by xCHIPxSEM |
My girlfriend, Crystal, grew up in Syracuse, NY and started going to shows in 1994. Basically she saw every good band of the era numerous times. She was going through some stuff in storage and came across these pictures that were taken at Hellfest 1999 in Syracuse. Ive got more pictures of various shows to scan but heres what I found so far.


Snapcase




Disembodied




Buried Alive


Brother's Keeper




Another Victim



Posted by xCHIPxSEM |

Heres a statement from hate5six.com:

After a 15 hour drive home, a towed car, and a speeding ticket, my friends and I finally made it home. This weekend I was privileged to cover the Burning Fight book release show in its entirety. This was a once in a lifetime experience and opportunity and I would like to extend my deepest thanks to everyone who made it all possible. Congratulations to Brian Peterson for completing his written documentation of the 90's hardcore landscape and thanks to Jim Grimes and Caitlin Lipinski for all their hard work. I'd like to send a special thank-you to Caitlin for answering all of my pestering e-mails and for not strangling me this weekend; I can't even begin to think how much of a nuisance I was to her.

The goals of this DIY project of mine have always been:

1. Deliver the highest quality live videos
2. Share all footage in its entirety
3. Publish videos as quickly possible

I believed Burning Fight needed to be covered in this manner. For the thousands of people unable to attend, and for those who were fortunate enough to be there, I wanted capture everything and deliver it while the excitement and passion from the event was still palpable. I am generally very thorough in terms of presenting my work (proper titles, setlists, etc), but in the interest of getting the footage out there as quickly as possible, I've decided to release all the footage in three phases:

Phase 1: Each set will be posted as raw footage with little or no editing/labeling. I'd hate to keep people waiting to see the footage solely because I'm attempting to satiate my anal retentive standards.

Phase 2: Each set will be edited and properly parsed/labeled. Videos in this phase will also be dubbed over with audio from the soundboard. Many thanks to Mike Gam for sharing the audio and Rusty Aggacid for manning the soundboard all weekend. Mike and/or I will also be sharing the audio source for anyone who is interested. Soundboard audio was captured for Ringworm, Guilt, Underdog, 108, Killing Time, Trial, Disembodied, Harm's Way, The Killer, Blacklisted, Have Heart, Threadbare, Split Lip, Reach the Sky, Bane, Converge, and Unbroken.

Phase 3: Each set will be available, in its entirety, for free download. I plan on spending a considerable amount of time determining the best way to achieve this. More on this to come...

How Can You Help?

I will need a lot of help with this...

1. I ask that everyone be patient as I work to get this all up. Roughly speaking, an hour's worth of video takes an hour to transfer, approximately 2-3 hours to encode, and a very long time to upload (this is just for Phase 1, too). There were 22 bands this weekend (all with varying set lengths) so this will take some time. My plan is to have at least 1 set up each day (possibly more on the weekends starting some time this week). The order in which the footage will be released is undetermined. The mathematician inside me is wanting to use a random number generator; any other order would presumably cause people's heads to explode due to anticipation.

2. My overall knowledge of the setlists is incomplete. Some bands provided setlists to me, some bands said the names of the songs during the set, and others played stuff I never heard before. If you're familiar with a band's catalog to the point where you can identify every song they played (hell, if you're in the band), please contact me (hate5sixproductions@gmail.com). This will expedite Phase 2 and Phase 3 considerably. As you're watching the sets, just note the name of the song and the approximate time stamp. I'm sure I can figure it all out myself, but there are just way too many gaps. Any help would be greatly appreciated.

3. Please don't request a DVD of the show. I feel bad saying no to the numerous requests I've received about this, but at this time I cannot grant such requests for a myriad of reasons. As I said above, I will make everything available for free download during Phase 3.

This is going to be a long project, but it will be undeniably well worth the wait. I appreciate everyone's patience in advance and I assure you every song from every band will see the light of day in the relative near future. As Jim Grimes said before Unbroken, "this is your show." Thanks again to everyone who made this weekend unforgettable: from the organizers to the bands to the amazing people I met to everyone who donated money for tapes--you are the reasons why I love hardcore.

Please repost this message everywhere you can in its entirety. Follow me on Twitter for updates and progress reports: twitter.com/hate5six

hate5six.com
burningfightbook.com


You can watch the unedited footage of Trial's set here:
http://hate5six.com/player.php?album=89580
Posted by xCHIPxSEM |

This was requested so here we go. Great release from one of the best Emo-core bands of the 90s. Members went on to By the Grace of God, Elliott, and 32 Frames

Empathy - I Need

http://www.mediafire.com/?weyj5gjmwnw
Posted by xCHIPxSEM |
While I havent given my recap of Burning Fight yet, I felt this was more important at the the moment. I may not know all the members of 7 Generations I did finally meet Chris this weekend (in the airport of all places) and I am truly saddened that they are calling it quits. They have plans for the rest of the year to be as active as possible until October when they play their last show. Check out the 7 Generations Myspace for up to date info. Crossing my fingers that Ill get to see them before they break up. Heres what Chris had to say in regards to the decision:

Dearest friends,

For the last six years, I have had a most cherished and enriching opportunity; to take part in something that I have truly believed in. When Seven Generations first began, in what now feels like a thousand years ago, I had not the slightest notion that it would prove to be such a monumental advent in my life. It is an experience that has brought me more joy and sorrow, more unexpected triumph and foreboding defeat, more sacred optimism and profane cynicism than any other endeavor or epoch that I have ever experienced. It has been a great source of simultaneous pride and humility for which I will never have anything but the utmost gratitude. However, lamentably, at this moment in the short and passionate journey through mortality, I feel the time has come for this effort to come to an end.

Naturally, I am aware of the fact that compared to the majority of other groups that have come and gone through our little community, Seven Generations has been quite small and insignificant. There are a great many things that we have never had the fond circumstances of taking part in and additionally, there are really such a miniscule number of individuals who have a place in their hearts for our band. However, looking back on our short time together, it is hard to feel anything but an overwhelming love for everything that I have gotten to feel and participate in as a result of our small and poor band.

When we were writing our first songs, I thought that perhaps we would be offered one or two shows a year by someone who took pity on us and that we would end up playing to a largely empty room of people tapping their feet anxiously waiting for us to finish. I never would have imagined that we would have been offered the kindness, support and love that have come our way in these last six years. To think that individuals, not only across this country, but also in Europe, South America and Asia would extend themselves to us and express such wonderfully encouraging sentiments is nearly inconceivable. Furthermore, we have had the joy of finding out that our band and our efforts have enriched others lives the way many bands of our youth enriched our own. We have had individuals who have told us that our band has helped them overcome the torments of having been abused or raped; who have found consolation in our music that has helped them deal with the disenchantment of losing faith in religion and find pride in their new found heretical existence; who have discovered the ability to care for other living creatures and thusly taken up the cause of animal, human and earth liberation; who have risen above the confines of intoxication to develop a view of life so much more vivified and vital than that which was there before. We have been able to use our band to raise money for legal defense funds for political prisoners, for battered women’s shelters, for efforts to feed and shelter the poor and for organizations that strive to end the destruction of the environment. We have been able to share the stage with some of our heroes from the past and with contemporary bands that are both inspiring and exciting. We have been fortunate enough to form friendships both at home and abroad that will be a source of comfort until our dying days. Lastly, we have had the experience of discovering that underground hardcore punk is still a potent, meaningful and thriving culture. There are no words to express the profundity of all of these experiences, save to say that if I never again experience such emotions, I will be nourished for the rest of my life on the memories of these times.

Our last show is not yet scheduled, but we intend to say farewell sometime in fall 2009, most likely in October, at the legendary and hallowed Che Café. Until then, we would like to spend as much time with you as possible, so please do feel free to contact us and we will do as much as we can to make sure our final months together are active and meaningful. Thank you so very much for all that you have given us. We will love and cherish all of you, our friends, forever.

“Hate on and love through unrepining hours…”

Chris Rouse, on behalf of Seven Generations

Monday, May 4, 2009

Posted by xjustinx |
As we're getting ready to leave our hotel, I feel it's time to do a small amount of reflecting on the Burning Fight weekend.
The wife and I had some flight issues, which resulted in her not being able to fly into Chicago until Saturday morning. I still got in Friday evening though, and hit up the Indecision show. Wait In Vain played a great set. They got more love in Chicago than they seem to in their own hometown of Seattle. Timm's voice has gotten much stronger over the years, and it's great to hear him step out in front of a mic, as opposed to being behind a guitar all the time. Having not seen Indecision with Tom on vocals in a little over 10 years, I was really excited to see them again, and they didn't disappoint. They played a stellar selection of songs, although they did leave one out that I was dying to hear (you're dead to me now, Tom!).

The start of Burning Fight has been something I've been anticipating for so long now, but it ended up exceeding my expectations in most ways. There was good ventilation in the venue, and enough room to breathe, but there was one major bummer: a fucking barrier! Nothing is a bigger drag at a hardcore show than a barrier. From here, I'll just recap my favorite sets from the weekend.

Damnation AD - I'm not so sure why they played so early in the day, but they sounded incredible. Damnation always had a great ability to set a dark mood, and they definitely did that on Saturday as well. They opened up with No More Dreams of Happy Endings, and followed with a strong set of some of the heaviest hardcore the 90s ever saw.
Trial - Holy shit! Pandemonium might be the only word to describe Trial's set. I've seen them more times in the Northwest than I could possible count, and I attended all three of their reunion shows in 2005, but this was just plain insane. Kids were packed up front, and singing along like I never expected off of the West coast (they always seemed extremely underappreciated out East). They played a shorter set than I expected, but it was great as always. No band can make me feel quite the way that Trial can, and I was having a blast until I got kicked right in the eyeball, and then only had one contact lens for the rest of the weekend.
Disembodied - One of the most anticipated sets of the weekend for me came in the form of Disembodied. Definitely in my top 5 hardcore bands of all time, I was craving their downtuned sound since I last got to see them in '99. For the longest time now, Disembodied have been the soundtrack to every depressed, fucked up era of my life, and being able to hear the songs that got me through so many rough patches in a life setting again was well worth the wait. Each and every song they played is a classic in my eyes/ears, but the peak for me was when they played Gone. The duration of their set was about as nuts as Trial's was. Kids were piling on top of each other like something I haven't seen in years. Here's to hoping that they get back together, and bless us with another record.
Threadbare - Without a doubt, Threadbare were the most underappreciated band of the weekend. So powerful, and so emotional, it's a real shame that more people weren't in the building when they played. This doesn't happen very often, but I got goosebumps as they played Midas. Seeing as how Threadbare never made it out to my town in the 90s, I'm thankful they played Burning Fight.
Unbroken - Another band that never played Portland in the 90s, I was chomping at the bit to see how Unbroken would be live after all these years, and I was not let down at all. The sing alongs during their set damn near could have been deafening outside of a music venue. They ran through all the songs I wanted to hear, and their singer had a lot of great things to say about how priviliged they felt to be playing something like Burning Fight.

Overall, it was a great weekend, and a perfect fest. Normally, I really hate fests, but this was put together really well, and the attendees were all great people for the most part. Not having to deal with lameos in flat brimmed hats all weekend was awesome. There are so many people that it was great to see again, even if just briefly, including: all of Trial (as always), all the Seattle and Bellingham friends, Tom from Indecision, Tara from Disembodied, Rick from Ferret, Jason Shrout, Jeff Jawk (awesome to finally meet that guy after all these years), Jav, Norbi from Budapest, Ben from Redding, Clint from SLC, and so many more. Of course, it was great to see my partner on this site, Chip (move to Portland ASAP!). Anyone I met for the first time this weekend, feel free to shoot me an email, so I don't forget about you.
I'm leaving Chicago feeling inspired again, and I hope to take that with me, and apply it to all aspects of my life back home. Everything from my marriage to my band can benefit from the feeling that 90s hardcore gives to me. I know it can never be the same again, but I hope that the intelligence and raw emotion of the 90s comes back like a flood to hardcore. I'll end this with the quote of the weekend, which was supplied by Greg Bennick (surprise, surprise):
"There are 1100 of you, and 1 barrier. You do the math."

Friday, May 1, 2009

Posted by xCHIPxSEM |
Im less than an hour from leaving for the airport to head up to Chicago for Burning Fight and Im pretty excited (outside of my usual flying anxiety). Justin is currently boarding to head there as well so between the two of us, we should have a pretty comprehensive retrospect of the weekend. I also know that a site (the name escapes me) is recording the sets and will have them available to stream for FREE on their site in the near future. He said he is going to record all of the reunions and then some of the other bands as well, time provided. We'll update you on that as soon as know more. Being the huge merchhound that I am, Ill have pictures of merch when I get back and Im sure Justin is going to track down some vinyl so we'll try and update this as each day ends but I dont know if Ill have access to a computer while Im there. If you are reading this and attending the show, please come up and say hi. Looking forward to a great weekend...

Chip XXX

Wednesday, April 29, 2009

Posted by xCHIPxSEM |
I was able to find scans of the record at End of a Lifetime blog so go and check that out. Someone set up a Myspace page for Flagman with a pretty detailed history from the band, so go there and read that. Flagman on Myspace


*NEW LINK*

Flagman - Consequence 7 Inch
Posted by xCHIPxSEM |
Andrew Jacobs, the king of kings, brings us an interview with Isaac Golub of Chorus of Disapproval and A18 (Amendment 18). I dont know how he gets these done so quickly, but hes really helping us out significantly. So big thanks to him for helping us out and for Isaac for doing the interview.


Your band
A Chorus of Disapproval recently reunited to play the very successful first Hardcore Reunion benefit show at Chain Reaction in Anaheim, California on 3/22/09 along with No For An Answer, a surprise performance by Carry Nation, Headfirst, Blackspot and ICE. How did Chorus become involved with playing this show?

Hartsfield mentioned there was going to be a local 'reunion show' that he was trying to get Outspoken on, that peaked my interest. Some of those dudes ended up not being interested in the show for whatever reason, and that was the last I heard of it for awhile. Then I went with Hartsfield to Ryan Langley's birthday party at Memphis in Costa Mesa, and I heard Dan O' talking to Mike about it and chimed in, "We will play if you are interested." Not that we were ever that popular but I just wanted to play since it was for a good cause, I would never be interested if it were a GB-YOT-GIVE US YOUR MONEY-TYPE-REUNION.

Did you expect there to be such a big and enthusiastic crowd (particularly for Chorus) at this show? Why or why not?

I knew we would shred, I'm not flexing ego right now but I just knew we would be solid and still pissed as hell. It's not hard to tell who's gone soft and who hasn't. We have always been able to make the crowd bounce, it's an energy exchange thing. I think we have a special place in a lot of people's hearts and for that I am forever grateful for the support.


A number of people (including you and Hardcore Reunion coordinator Mike Hartsfield) brought their very young children to the show. Were you at all worried or concerned for their safety as well as them being exposed to the rampant profanity that accompanies most hardcore shows?

I'm pretty sure Mike's daughter was gone after Ice so I don’t think that counts completely, but as for the other kids in attendance it's naive to think that children don't hear profanity everyday. If they say they don’t curse they are probably not being completely honest, and if they don’t they for sure have friends that do. As for their safety? I was not worried. My 12 year old was up front dishing out some serious dance floor justice!


You turn 40 this year and are still pretty involved in the hardcore scene. What is it about hardcore that has kept you involved in it for over 20 years?

I love it. I love what it used to stand for, I love what was and could have been. I loved giving and giving and giving with receiving little or nothing in return. It sounds sarcastic and bitter, I know, but it's not. It's a form of charity that is fun.


Chorus was one of a handful of bands who spearheaded the militant straight edge hardcore movement in the early '90s, a movement which continues to this day and has become more and more extreme over the years. What are your thoughts on this?

Well I never in a million years would have thought that when I coined the phrase 'The Militant Edge' it would have been taken for more than what it was, a personal statement. So you can imagine my surprise when the Earth Crisis' and other militant bands of the world became huge and kids were stabbing one another and blowing shit up. I was in certain terms ashamed for ever opening my big mouth. "I" was angry at society, "I" was angry at certain parental/peer lifestyle choices, "I" was angry at dead kids from my high school that drove drunk and quite frankly got what they deserved. Have I beat up drunks? Yes. Have I been confrontational to the point of violence? Yes. That was a long time ago, seems like a 100 years. Now I'm just not angry anymore, I'm pissed just not angry (if that makes sense). Will I still beat up a drunk? Yes, in a necessary situation. I will always be an asshole and confrontational, that's never going to change. It's just a matter of how or where I feel the need to direct it.

What are some of your favorite Chorus songs and why?

My favorite song is Downslide because to me other than many A.18 songs it is lyrically one of the best written songs I have ever penned. It's haunting and metaphorically dark. I wrote it during a transitional phase in my life when things were very stormy, thus the weather-ish theme. I also love Leave You Behind because I wrote that song at the age of 14 (1984) just before I entered high school and within weeks of my father's death of a heroin overdose. My mother happened upon it on my desk one summer afternoon and asked, "did you write this?" I timidly replied in the affirmative. She simply said, "Um, wow. That is really good. You are wise beyond your years."


You formed Amendment Eighteen (A.18) in the late '90s. In what ways did A18 and Chorus differ?

A.18 at their peak were better and were very, very busy. We had a goal beyond glory or hype. In my opinion, A.18 was the most under-appreciated band in the United States. A.18 is a band I can listen to and completely separate myself from and forget my best friend is the guitar player. Whenever I hear Dear Furious, I think "Fuck these guys are really good!" And then I feel like a total tool for jamming my own band as loud as possible in my car.


What are some of your favorite A.18 songs and why?

Dear Furious, Stab You Through The Everything, Broke The Blue, Jailhouse Rob, Public Apology and Gravelines. I can't pick each of them apart, it would take forever because I can be so long winded. But I will say some of those songs were written in the 11th hour so to speak before recording. The frustration and stress of writing them well within a short period of time before recording made for some very good lyrics I think. I write metaphorically and sometimes with 'coded messages in slowed down songs' but that's how I do, I will not dumb down my lyrics for the sake of record sales. Fuck that.

You've toured the U.S. and overseas pretty extensively in both Chorus and A.18. Do you have any funny or interesting stories from the road that you'd like to share?

I had a Hare Krishna stalker in Berlin one time when The Chorus went. I talked to him a little at the show, and the next day he was at my hotel room with beads, literature, and ‘special’ donuts. It was creepy. I drew Frenchy Pierre type mustaches on all Lou from Sick of it All’s tour poster’s in Europe. They were 2 days behind us on that tour so I know he saw them. I’m gonna get beat down now. We broke a kid’s mom’s washer who was letting us stay at his house, then yelled at him that his mom’s shit sucked, then made him go door to door to his neighbors to find us a new washer to use. I broke into a locked refrigerator at a club and robbed them of all their chocolate milks after the promoter screwed us over. The old Rev van broke down in Iowa in the middle of nowhere and as soon as we open the van door, 7000 flies cruised in and owned the place. We played in a castle, a kindergarten room, an abandoned supermarket parking lot, an empty pool, plenty of garages, a ‘record store’ that only sold used cassettes, some place where Led Zeppelin, Janis Joplin, Hendrix, and The Doors played that was very much haunted, a basement at a steak restaurant, a junkyard. Sounds like we were dicks, and maybe we were sometimes but it’s boring to say, “We just wanted to play wherever and whenever, sell some merch and get our message out.” I think we did much more good than bad and I’m proud as fuck to have participated in those bands and regret nothing.


You've done a few side bands here and there. Discuss those.

What’s to tell really? I did a hip hop thing called Cointelpro in the vein of Rage Against The Machine or Spearhead, but better, with some guys from San Diego. We played with bands like Deftones, Sugar Ray, and the like. Two demos and almost a 3 record deal with Sony. I did Caste with Jason Hampton, Regis and PT. I think we were supposed to do an LP with Indecision but that didn’t happen. Here’s the thing with side bands I have done - I was really the only one serious because I wanted to play music as a career. I didn’t care about fame so much but I wanted to be a traveling salesman with music and a message.

As a writer, who or what are some of your primary influences and why?

I am the son of a hippy so you must understand, a lot of 60’s and 70’s writers turned my gears at an early age and stick with me today. There is no art in music anymore, the soul has been sucked dry. Lennon/McCartney, Jagger/Richards, Roger Waters, Harry Nilsson, Otis Redding, and Joni Mitchell are some. Try to hold back your tears on Joni Mitchell’s ’Case of You’ and you will be hard pressed to keep from pouring over. Morrissey/Marr, O’Shea Jackson and Eric Wright are some prolific writers. Anything I think might make me want to fight, fuck, smoke a fool, cry like a baby or miss my loved ones are songs I can get with.


Feel free to shamelessly plug any of your current musical and/or non-musical endeavors that you feel like plugging here.

I have a serious solo hip hop thing in the works with some label interest on word of mouth alone and I’m doing an industrial goth thing that sorta sounds like The Clash of The Titans meets the Camelot soundtrack. Also, I am doing a new hardcore band with some… let’s say big name hardcore guys called Grasping At Straws, our LP will be called either Give It Up, It’s Just Sad Now. Or, Don’t You Think Your Plate Is Full Enough Already? That band will not do a Myspace or Facebook, so don’t bother looking. It will be a real band, not a over glorified excuse for one.
Posted by xCHIPxSEM |
I posted this on the South Florida Music Scene blog some time ago but I thought you guys might be interested as well. Its no secret, I love Morning Again. My favorite hardcore band to come out of Florida (Shai Hulud runs a very close second) and my t shirt collection reflects that. I played in a few bands with John Wylie (guitar/mastermind) and got to know him well and I think that just makes me love the band even more. Morning Again I believe is actually how Justin and I actually started talking, because of our mutual love for Morning Again. I scanned this from the original zine, one of the few I still have (long story). This was released in 1996 but the interview was conducted in late 95 I believe, right after the Cleanest War was released. The interview is with John and Damien and they do go a bit into why they left Culture which is cool. Check it out.
Posted by xjustinx |

There are a handful of bands that I am beyond excited to see at Burning Fight, and Threadbare are definitely one of them. They never played out my way during their heyday, but their albums have always stuck with me as being incredibly original, and uncompromisingly heavy. In honor of being able to finally see them in about 3 days, I ripped their first release.

Threadbare - self titled 7"
[1994 - Watermark Records]
http://www.mediafire.com/?mmiozw0gnky